Schematics
Referencing Haines manuals and Ikea instructions, Territory modelled and rendered these detailed blue prints for use within the film. As Nathan and Caleb discuss assembling an AI they feature as large light boxes on walls.
Alex Garland taps Territory to visualise a next generation OS for this tense drama about human emotions, artificial intelligence, manipulation and control.
Read MoreWith a multilayered plot that pits human against AI, Garland’s psychological drama unfolds through strong characters, subtle dialogue and machine code. Needing strong yet elegant screen graphics to help tell the story, the art department asked us to design a series of credible
‘near future’ interface designs. Working with Garland’s team, we rooted our concepts in current trends in OS design and programming to create an operating system that felt right for the story’s multibillionaire genius programmer who designed both the OS and the AI.
Referencing Haines manuals and Ikea instructions, Territory modelled and rendered these detailed blue prints for use within the film. As Nathan and Caleb discuss assembling an AI they feature as large light boxes on walls.
Creative Director | David Sheldon-Hicks |
Producer | Kelly Woodward |
UI Screens | Peter Eszenyi, Marti Romances, Yugen Blake, Jay Dingle, David Penn |
Schematics | Peter Eszenyi |
Writer and Director | Alex Garland |
Producers | Andrew MacDonald and Allon Reich |
Production Designer | Mark Digby |
Graphic Designer | Andrew Tapper |
Compuhire | Playback |
Phone Programming | Syd Lawrence |